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the guardian who watched a twelve-year-old perform trauma for a 'harmless' film
she made sure he ate lunch every day but still wonders if that was enough
Nancy Claire Delgado
Burbank, United States
Review: Michael is a harmless, good enough film about a man who didn’t care to be just 'good enough'
She's the invisible line between a child actor and exploitation, and she questions whether her careful boundaries were enough or whether any child should carry the weight of performing someone else's pain.
Talk and reflect
When we ask children to portray adult pain for art, who bears the responsibility for what stays with them?
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